Mar 19 2018
Encore Research

We have been lucky enough to be involved in some great events for our amazing clients over the last few months. So we thought we would share a few of our most recent awards nights and pass on a few top tips from our wonderful team of event experts on what to remember when staging an awards night or large gala dinner. We have been lucky enough to be involved in some great events for our amazing clients over the last few months. So we thought we would share a few of our most recent awards nights and pass on a few top tips from our wonderful team of event experts on what to remember when staging an awards night or large gala dinner.
1. cievents – Awards Night
This annual awards night was held at The Royal Hall of Industries next to The Hordern Pavilion in conjunction with our event partner’s cievents. The concept was to tie the stage look in with the industrial vibe and feel of the venue. We wanted to create impact and a party atmosphere but were also conscious about making sure everyone had a great view of the stage as the evening was going to be heavily focused on the stage and the award winners. 2. AICD Gold Medal Awards Night
Our newest in-house venue, the beautiful not long restored Brisbane City Hall, was home to the 30th annual AICD Gold Medal awards. The historic venue provided an amazing setting for the night as the stage provided a great vantage point for the awards to take place, making sure everyone had a great view of all the action. The newly restored dome provided a great backdrop for the lighting and our talented team created a bespoke lighting sting to showcase the new space and create some ‘extra’ entertainment for the evening. 3. AFTA Awards Night
The AFTA awards were held in The Hordern Pavilion in Sydney. The awards ceremony is the premier industry event of the year so each year needs to be delivered bigger and better! This year was no exception and our talented team followed the brief to the letter. Our large scale stage set featured the Southern Hemispheres (and the world’s 5th) largest mirror ball weighing in at a massive 287kg and measuring 7ft in diameter!! It certainly had the wow factor and helped create the party atmosphere desired. The room also featured some amazing bespoke centrepieces from Qantas and the table layout created the stage walkway for the award winners and a floor space for the entertainment acts throughout the night which included three Aerial acts and Australian signer Jessica Mauboy. Our top tips for staging an Awards Night to Remember 1. Get inspired and watch the biggies Our creative teams get inspiration from the big commercial awards night such as the BAFTA’s, Academy Awards and home-grown Logies! Watch some of these awards nights and take on board any ideas or trends that you would like to replicate. An experienced technical production team will be able to reproduce some of the most complex looking staging with audio and video stings, lighting ballyhoo’s and dynamic set pieces. 2. Make everyone feel like a winner with clever sound, lighting and vision It’s important that you keep everyone involved and energised to create that celebratory mood for the night. Table positioning with clear line of site of the stage is paramount to keeping your attendees engaged. If the space doesn’t allow for clear vision think carefully about screen placement. The sound of the night can help create the buzz, think about introducing individual sound stings for each award winner or a pop song instead of the classic music. Lighting will also allow you to build up energy with lots of movement and changes in colour. 3. Set the formality of the event with Styling The dress code can have a big impact on the formality of the night and sets your guests expectations. You need to make sure the styling of the event reflects the formality. For instance if you are having a black tie event, adding black chair covers and black linens instantly sets the formality and the tone for the evening. 4. A strong MC to control that party atmosphere Choosing a MC for your awards night is a big decision as the choice of MC can have a huge impact on the mood of the night. They act as the thread that holds the evening together and they need to be there to raise the energy at the start as well as control the atmosphere as the night progresses. Always hire a professional with a strong portfolio of awards night hosting. It will add a sense of professionalism and credibility to the evening. 5. And finally, what awards night wouldn’t be complete with a PARTY a. The choice of act for the finale is key to keeping the party atmosphere going and ensuring the night ends on a high! You want to be dragging people off the dance floor as the event is packing down at the end of the night; there is no better sign of a successful evening. Written By, Stuart Buchanan, Sydney Sales Manager
With event production experience spanning 17 years, Stuart’s local and international knowledge and know-how has set him up to be a true industry professional. From the early 1990’s Stuart worked as a music and fashion event promoter before moving into the corporate events field and has been with Staging Connections for over 12 years. … Read More

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Our team in Southeast Queensland welcome clients Backstage

Mar 19 2018
Encore Research
We recently invited our loyal clients and valued venue partners to join us Backstage at our Queensland Head office. We recently invited our loyal clients and valued venue partners to join us Backstage at our Queensland Head Office. In our educational sessions our event experts went back to basics and spoke on a range of topics including Audio, Vision and Lighting as well as demonstrating the newest innovations in digital events including Webcasting. Our Event Design Manger Sean also covered the latest trends in the world of styling and design, giving his top predication's for 2014. If you want to get the insider knowledge you can download his presentation here. Don't forget to check out the album below for all the behind the scenes pictures from the day, and, if you would like to register your interest for our next Backstage Event series simply email your details to Susan on shamilton@stagingconnections.com. ... Read More

Top 5 event tips for the year ahead

Mar 19 2018
Encore Research
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What benefit does Vision Foldback provide in your Audio Visual Solution?

Mar 19 2018
Encore Research
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What part Sub Speakers play in your Audio Visual Solution

Mar 19 2018
Encore Research
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Techie Tuesday: What is a Graphic Equaliser

Mar 19 2018
Encore Research
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Techie Tuesday: What is a Talk Back System and how is it used in events

Mar 19 2018
Encore Research
Each week we aim to demystify the world of AV equipment and event services and reveal exactly what those techs are talking about. In this weeks #TechieTuesday we look at the Talk Back system, or 'comms' as they are more commonly know and find why it is essential to the smooth running of an event. Each week we aim to demystify the world of AV equipment and event services lingo and reveal exactly what those techs are talking about. In this weeks #TechieTuesday we look at Talk Back system and find out why it is essential to the smooth running of an event. AV Discipline: Show Operation AV Category: AV Equipment AV Jargon: InterCom, Comms, Head Set Description: A Talk Back system is a communication network that is used by Show Operators to share vital aspects of an event, ensuring all actions are performed in unison. With Show Operators positioned throughout a function space, you will find them wearing a headset allowing them to listen to the show call and contribute to the flow of information. Go video #3! Stage lights up! Microphone #2 up! These are all examples of the talk back communication. The system comprises of any number of headsets and belt packs, which are allocated to each Show Operator including but not limited to camera, sound and lighting operators. At the heart of the system is the base station, which is typically located at the Control Desk for a central point of access. The Talk Back system is capable of distributing multiple channels which allows for isolated communications. By allocating different channels, this helps to keep the information flow focused and relevant for the Show Operators. For example the audio operator does not need to hear the call for the Camera Operator to pull focus and change their shot. Source: Clear-Com | Tempest 2400 Next week we look at aspect ratios for projection screens. If you have any words, terms or lingo you would like our AV experts to demystify for you please send your suggestions through to info@stagingconnections.com Written by Andrew Thorne, ANZPAC Trainer & Assessor, Staging Connections. Andrew Thorne is ANZPAC Trainer & Assessor and drives our training programs at Staging Connections, including our Certificate III in Live Production and Services Program for our new trainees. ... Read More

Techie Tuesday: Choosing the correct aspect ratio, 4:3 or 16:9?

Mar 19 2018
Encore Research
Each week in our Techie Tuesday blog series we will aim to demystify the world of AV equipment and event services lingo and reveal exactly what those techs are talking about. Up today, we clear up the mystery of screen aspect ratios. If you have ever seen a distorted presentation or one where the content doesn't quite fit the screen chances are there is probably a problem with the aspect ratio. Each week in our Techie Tuesday blog series we will aim to demystify the world of AV equipment and event services lingo and reveal exactly what those techs are talking about. Up today, we clear up the mystery of screen aspect ratios. If you have ever seen a distorted presentation or one where the content doesn't quite fit the screen chances are there is probably a problem with the aspect ratio. AV Discipline: Vision AV Category: AV Theory AV Jargon: 4:3, 16:9, Width, Height, Wide Screen Description: The aspect ratio of a screen describes the “fixed” relationship between the width and the height. It is always written in a ratio format with the width listed first and the height listed second. In today’s event market you can find a vast array of presentation products, so finding out the aspect ratio of the screen should be one of the first technical questions asked. By authoring a presentation to match the aspect ratio of the screen, this will ensure the entire screen is filled with content. Presentation software such as PowerPoint and Keynote provide adjustable page setups to cater for different aspect ratios. AV terminology such as “letter box” or “pillar box” describes an image that does not fill the screen due to a miss-match of aspect ratios, this can be distracting for the audience. While projectors and monitors can stretch and squash an image to fill the screen, this will lead to image distortion, dramatically impacting the look of the presentation. This can be a trigger for the “Logo/Brand Police” to suddenly appear and request the distorted image to be fixed. For decades the standard aspect ratio was known as “4:3” as it widely adopted by the broadcast and computer industries. Since the recent introduction of High Definition video, the wider 16:9 aspect ratio has emerged as the new standard. With rapid advances in technology, manufactures are building products such as laptops, tablets, and mobile phones with a wide range of aspect ratios including 16:9, 8:5, 4:3, 5:3, 3:2, and 5:4 so knowing the correct aspect ratio of the screen is more important than ever. Image Source: Staging Connections | Learning and Development For any upcoming event that requires a screen, be sure to enquire into the aspect ratio and pass this information onto your presenters, content authors, and multimedia designers to ensure compatibility and the perfect presentation every time. Next week we shine a light on the 'Ballyhoo' and discuss when and where you would use them on your events. In the meantime if you have any suggestions or specific words you would like our AV experts to demystify for you please send your suggestions through to info@stagingconnections.com Written by Andrew Thorne, ANZPAC Trainer & Assessor, Staging Connections. Andrew Thorne is ANZPAC Trainer & Assessor and drives our training programs at Staging Connections, including our Certificate III in Live Production and Services Program for our new trainees. ... Read More

What are In-Ear monitors and how can they be used on corporate events?

Mar 19 2018
Encore Research
Each week we aim to demystify the world of audio visual equipment and event services speak. In this week’s Techie Tuesday we take a look at the key event communication tool 'In Ears'. You have most likely seen performers on stage using them to hear their instruments or TV presenters listening for cues from backstage directors. They are also used in corporate events as an effective on stage tool to help enhance the delivery for on stage talent, giving them the confidence to deliver a great performance. Audio Visual Discipline: Audio Audio Visual Event Category: AV Equipment AV Jargon: In Ear's, Ear Piece What are 'In Ears' In-ear Monitors are a small and discrete headphone set, that allows onstage talent to isolate ambient noise and listen directly to a personal audio mix. The headphones are connected to a small belt pack receiver, providing the talent with freedom to move without cables. The audio signal is broadcast from an transmitter, positioned either at the operators table or side of stage. Unlike a talkback/comms system which allows for two way communications between event crew, in-ear monitors allow for a split of any audio signal(s) required to be heard by the onstage talent, enabling them to action cue or hear clearly. Source: Shure | PSM900 What events are 'In Ears' used on? Events such as award ceremonies or television broadcasts where there is a master of ceremonies or an on camera presenter, use in-ears to discreetly relay critical event cues such as timing information, when to throw to a video, and when to intro a new topic. It takes a very experienced and agile presenter to be able to talk to a live audience whilst also listening to event cues from directors. Events such as live musical performances, where there is a need for musicians to hear their instruments or vocals, use in-ears to deliver a mix of instruments and vocals allowing the musicians to keep in time, and on pitch. The use of in-ears for musical performances keeps the volume level down on stage, and gives the performer a consistent sound reference anywhere they move. What is needed for In Ear Monitors to work as part of you overall Audio Visual events solution? A few specific items are required for in ear monitors to work effectively: Transmitter: the personal audio signal needs to be broadcast so as to be picked up by the belt pack receiver. Receiver: the broadcast audio signal needs to be received so as the talent Receiver: the broadcast audio signal needs to be received so as the talent can listen to the personal audio signal. Mixing Desk: a mixing desk is required to split the signal(s) and mix the signals being sent to the in-ear monitors. Audio Tech: a trusted audio tech is required to ensure that the talent receives a good mix and does not hear any unexpected sounds or cues Up next week... Next week we focus on IMAG. In the meantime if you have any AV terms or words you would like our AV experts to tackle leave a comment on the blog post below or join in the conversation on Twitter @stgconnections #TechieTuesday. Written by Andrew Thorne, ANZPAC Trainer & Assessor, Staging Connections. Andrew Thorne is ANZPAC Trainer & Assessor and drives our training programs at Staging Connections, including our Certificate III in Live Production and Services Program for our new trainees. Related Blogs Techie Tuesday: Talk Back Systems Optimise your event communication with design and production Techie Tuesday: What is a Graphic Equaliser and why do I need one? ... Read More

The Future of Presentations: Top 3 predictions

Mar 19 2018
Encore Research
On a stage in the not too distant future, a presenter steps up to speak. The walls behind and around her audience come to life with three dimensional visuals introducing her and the company she represents. As she begins speaking, she swipes her hand above a tablet device with a long gesture that ends with her palm facing the back wall. A graph seems to fly from the device to the wall, enlarging as it moves. She asks the audience a question, and the attendees respond via their handheld devices. The graph changes instantly. Remote audiences watching on a huge range of different media responded to the same prompt. While that may sound like a particularly stylised movie scene, all of the technology that makes it possible already exists and is being used in some form in presentations every day. Presentation technology is advancing constantly, with the goal of making human communication more engaging, more effective and capable of communicating complex ideas succinctly. This blog examines emerging trends in presentation applications, equipment and techniques to help you prepare for the coming dramatic shift in audience expectations. 1. The Virtual Presence Large-scale presentations to media and big audiences looking for a ‘wow factor’ will soon be regularly utilising virtual presence in the form of holographic projection. Already used to resurrect departed musicians on big festival stages, holograms are actually just a clever use of 3D projection mapping, using multiple projectors, software and a physical object to carry the image. Interactive three dimensional graphics are also set to become commonplace. While it is currently relatively straightforward to have 3D graphics created and projected on cue, the technology will change presentations when the presenter themselves is able to select, manipulate and map images in real-time, by whim and in reaction to the audience. This will involve gesture control of a master device such as a tablet and advanced, automated integration with mapping software and multiple projectors. There are already examples of this technology in the market. The key to utilising it successfully will lie in having the right content created for your message, and knowing when to use it. 2. The Audience Speaks Having now been exposed to the possibilities of interaction via Twitter and live chat applications, audiences now expect more than a simple one-way flow of information from the presenter. Far from a distraction, letting your audience ask questions or vote en masse on a seminar’s direction from their phones keeps the attendees engaged and makes them more likely to absorb your message. There are already countless applications across multiple platforms available to integrate the audience into the content. All offer a variation on a theme – the audience presses a button, writes a message or engages with pre-made content and their results of this are then collated to a main screen. What the presenter needs to be clear about is when and how to use the technology. Presenters that allow themselves to be guided and structured by audience curiosity must know their material inside-out. This rules out the possibility of a presenter using AV as a crutch and simply reading out or referring to slides to get through their material. The presenter must be confident in responding to audience questions and capable of bringing the material back to the important points after digressions. Preparation is key. 3. It’s how we connect Even at the smallest scale that could be termed a ‘presentation’, in which just two or three people work together, technology already exists to greatly enhance communication. If the collaboration is occurring in one physical location, wireless products enable all devices present to connect to the room’s screen and individually share content to it. The same technology, scaled up, also allows remote participants to connect to the system, with all of the same sharing capabilities as if they were there. Increasingly, these systems allow for amazing flexibility. Not only can different types of devices be connect together (phones, laptops, screens) but also different operating systems – iOS, PC, Android, Linux. Cross-compatibility on this scale was a physical impossibility just a few short years ago. Applications now exist that enable users on different platforms to actually work together of the same document, regardless of operating system. Across an network connection and through a shared app, a Mac user can edit an Excel spreadsheet and a PC user can collaborate in editing a Final Cut video, each with their own mouse and total independence. We experience this when we drive - the longer we're exposed to speed, the more comfortable we become with the risk of going faster, which is why people tend to get booked for speeding towards the end of their trip. But what’s really important? No matter what technologies come along, no matter how real the virtual becomes, the central part of every presentation will always be humans communicating with one another. On the big stage, it’s always going to be about someone with great information and insight sharing with an audience. In the meeting rooms and offices, it’s about someone with a great idea spreading the word. Technology just helps us tailor our message, simplify the complex and make it memorable. Staging Connections understands the centrality of our physical presence when communicating, and can assist anyone to get the most of out of current (and future) presentation technologies. Written by Tim Chapman, General Manager - Digital Event Services Tim is continuously supporting and developing Staging Connections digital event components, looking for new and innovative ways to utilise technology to take any event from stage to screen. Tim comes from a background in corporate events where he pioneered large scale video conferencing projects and global webcasting of major events. ... Read More